Shutter Speed: 2022 Emilia Romagna GP

Capturing this emotive Grand Prix is no easy feat, but Aston Martin Aramco Cognizant Formula One™ Team and Motorsport Images photographer Zak Mauger explains the small details that helped him create a series of evocative images.

Shot on a Canon 1DX II with a 600mm lens

"The wet weather on Friday offered an opportunity to experiment, so I tried to find somewhere with a bit of colour for this shot.

"Taken as the drivers come up the hill out of Acque Minerali, I used a slow shutter speed.

"With a new grandstand at this corner for 2022, panning with the car creates a nice effect with the fans helping to create colour in the background."

Shot on a Canon 1DX II with a 24mm lens

"In this shot, Sebastian's helmet was placed on the engineering bench ahead of his seat check on Thursday.

"Using a wide aperture to isolate the helmet, it helps create a striking image of Sebastian's helmet design against the lights and out-of-focus car behind."

Shot on a Canon 1DX II with a 24mm lens

"For this image, I utilised the weather conditions to create a striking effect, using the raindrops that have fallen on the Aston Martin logo.

"The shot then works as a really nice scene-setter and tells the story of the weather that affected the Grand Prix weekend."

Shot on a Canon 1DX II with a 50mm lens

"This is a shot that's helped by the quieter moments before the Grand Prix on Sunday, which means you have a little more space to move around and try different shots.

"Here, I've used the reflection in the side panelling to create a mirror image."

Shot on a Canon 1DX II with a 50mm lens

"The drivers typically wear a clear visor when it rains, which is the key to this photo.

"I thought the grid would be a good opportunity to capture Sebastian getting into the zone, using a 50mm prime lens and a wide aperture to really bring out his eyes."

Shot on a Canon 1DX II with a 600mm lens

"This is a challenging shot to take as it was captured on a long telephoto lens with a slow shutter speed and a narrow window between the trees where you can see the car.

"As soon as you catch a glimpse of the car further up the hill, you've got to start panning with it.

"You're almost shooting blind and relying on engine sound.

"The purple blossom tree was a bonus, it adds a bit of colour on a grey race day."